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In C to you, Anne-Élisabeth Lemoine takes short Anne Marivin with a raw question – Swiss

In C to you, Anne-Élisabeth Lemoine takes short Anne Marivin with a raw question – Swiss
In C to you, Anne-Élisabeth Lemoine takes short Anne Marivin with a raw question – Swiss

In the show C to youWednesday April 9, Alban Lenoir and Anne Marivin came to present FastMorgan S. Dalibert’s new film (Loss ball), centered on a young woman determined to unravel in the very male world of the car race. Anne-Élisabeth Lemoine opened the discussion by stressing that the feature film “Imagine what reality could be: the opening to women of a very masculine environment, but also very elitist“. An observation shared by the actress present on the set, which praised a film”delightful“to accents of Rockywith a “emancipatory speech“carried by strong themes such as”ambition, determination“And who denounces sexism.

In Fastwhich will be released in dark rooms on April 16, Max, a 17 -year -old teenager embodied by the influencer Paola Locatelli, a Formula 1 dream since her first karting experience. Despite a raw talent, it comes up against a closed world, where women are still largely underrepresented. An unexpected mentor, a former fallen pilot camped by Alban Lenoir, will then push her towards the top. “”It is a very gendered sport which, in general is made by men for men. So you don’t know anything about it, Anne, a priori?“Advanced Anne-Élisabeth Lemoine, immediately causing a spicy replica of her interlocutor.

“We calm down”

But it’s not okay, Babeth? We calm down. It is not because we are in leather that … I knew nothing about it, indeed, but, as for a whole part of my generation, Formula 1, it was really for me the moment of nap with the noise of the passing cars. I did not understand absolutely nothing, but I do not believe that it is a sport of men for men. There are many women who are interested in it“, he took up Anne Marivin.

Through this fiction, Morgan S. Dalibert offers much more than a simple sports film: he draws a trajectory of emancipation in a codified universe, with a lucid look at the obstacles encountered by ambitious young women. More than a question of speed or mechanics, it is a fight against social shackles, told in a popular cinema that does not give up reflection or spectacle.

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