One hundred thousand slopes are placed on listening platforms every day. Our journalists draw your attention to the songs and albums that pack them.
Posted yesterday at 11:00 a.m.

The choice of Alexandre Vigneault
SongbookNatalia Lafourcade
We saw Natalia Lafourcade on stage in Montreal two years ago, wearing a spectacular black dress which marvelously evoked the elegance and the spirit of mourning of some of her songs. She will be back on June 26 and 27 at Place des Arts at the invitation of the Jazz Festival, with a new collection of songs. Inspired by her country’s folklore, the Mexican singer articulates her new album around her guitar, also flirts on occasion with a bluish piano and multiplies collaborations of good taste with Israel Fernández (Clandestine love), David Aguilar (As I would like to love you) and Hermanos Gutiérrez. We press that we will be dealing with an artist at the top of his art during his visit.
Extract fromClandestine love (with Israel Fernández)

People latin
Songbook
Natalia Lafourcade
Sony Music Mexico
The choice of Philippe Beauchemin
Magic powersErika Hagen
For his first album, Erika Hagen offers a slacker rock that has nothing to envy to the great of the genre – Courtney Barnett, Kurt Vile -, and all… in French. The fatty guitars (we recognize love for this instrument of the one who realizes here, Dany Closet) accompany very hard texts wonderfully, sometimes tinged with a black humor, where the young author reveals her share of shadow (“I would like to be Karate Kid to fight the monsters who leave holes in my belly”) and her quest to find – or not – love (“lying in my bathtub You, worse I’m so happy that you are not there ”), clean in the first place. Magic powers has everything to be your Icitte rock album this spring.

Rock
Magic powers
Erika Hagen
Self -production
The choice of Josée Lapointe
Anarcholique, Jérôme 50
Third album by Jérôme 50, Anarcholique is exactly what he announces: a disc where beer flows to waves, and which brews the established order. If a few songs still do in the neo-trad, the Quebec Chilleur plunges mainly in the punk-rock of his youth. Brought to the well intoxicated party, openly vulgar, angry when he talks about politics, he puts cards on the table and it is to take or leave. When a song is called Fuck you mon ostiethere is not much room for imagination! We admit, we like the fiery writing of Jérôme 50, often childish, but rare and inhabited by a real emergency. But it is the fragility and humanity of the title piece that we hope to hear more in the coming years.

Punk-rock
Anarcholique
Jérôme 50
Bravo Music
The choice of Pascal Leblanc
Good Music HypnotizesJimmie D et Nicholas Craven
With his low voice and her sharp speech, jimmie of order attention. And when he poses on beats Impected from Soul de Nicholas Craven, the result is hypnotizing. From the Notre-Dame-de-Grâce district, Jimmie co-founded the Real Big Records label in the mid-2000s. The rapper met the one who was going to become his faithful producer a few years later, and both recorded together. For this occasion, the old friend Pay $ o, the compatriot Raz Fresco and the prolific Tha God Fahim contribute to couplets. The latter continues to chain the albums composed by Nicholas Craven, which has also just signed a play for Lloyd Banks and Ghostface Killah. The Quebecer also announced that his third collaboration with Boldy James will appear on July 11.

Rap
Good Music Hypnotizes
Jimmie D et Nicholas Craven
Independent
The choice of Emmanuel Bernier
J. S. Bach, Mass in B minorPygmalion and Raphaël Pichon
The Mass in Si From Bach, it’s a bit like the sixtine chapel of music. After several choral music discs from the Cantor of Leipzig, including an overwhelming Passion according to Saint Matthew (2022), Raphaël Pichon and his Pygmalion ensemble attack this sound cathedral that Bach had first thought of as a business card to solicit a composer position at the Dresden court. The intensity of the chef and the beauty of the instrumental colors strike immediately. The quality of the choir and the quintet of soloists (including the excellent bass Christian Immler) is not less in this recording which will undoubtedly make date alongside those of John Eliot Gardiner and Frans Brüggen.
Extract from Mass in such a minor, BWV 232: 2. Credo. I believe: No. 16

Classic
J. S. Bach, Mass in B minor
Pygmalion and Raphaël Pichon
Harmonia