Twenty years ago, The thread was a singular work in the French musical landscape. A note held from start to finish, a sound manifesto, an artistic audacity signed Camille. At the microphone of RTL, she confides: “I re -listened to her recently with part of my audience … I found him vibrant. He touched me, he regenerated me, he gave me energy, ideas”.
For Camille, this album is not a frozen memory. It is the starting point for a constantly evolving work. “All my records are following this album. I advance with albums. Each period of my life is punctuated by a disc, “she explains. If it excludes exactly the concept of the continuous note, the idea of” another note “does not seem impossible:” Why not? I never thought about it. “
The singer evokes this period with emotion: “It is 20 years when we experience full of love stories, that we rub in real, in the real world, and that we prick ourselves … then that we are reborn”. Worn by a radical vocal bias, The album also represents a decisive turning point in its trajectory.
Through this work, Camille claims to have conquered new freedom: “It is a very organic physical album, which I also did to stand on my own wings.” Success was there: The thread sold out 500,000 copies, “A very beautiful word of mouth,” she recalls. “It is not a marketing success, it is a very strong success with the public”.
Since then, Camille has explored far beyond the simple disc. His collaboration with Jacques Audiard for Emilia Pérez led her to the Oscars, where she received the prestigious statuette for the best original song. But international recognition has not altered its priorities. She repeats it: “The tour and the disc is priority”. His tour postponed to accompany the campaign ofEmilia Pérez is in preparation, as is the release of his new album, probably at the end of 2025 or in 2026.
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