Since 2017, the sparkling Luce Mouchel Interpreter Marianne Delcourt in the daily fiction of TF1 Tomorrow belongs to us. A character she deeply loves as she could have told us in an interview for Purepeople.com And that she hopes to interpret for a very long time.
But although she devotes herself enormously to the soap, that does not mean that the 62 -year -old actress has no other projects outside. Since the beginning of 2025, it has also occurred At the La Flèche Theater in Paris for his only-in-Scène Pretend to be me. An intimate and autobiographical show that came to him following an important family event.
You are a woman in theater, having played in around forty plays under the direction of great directors. How do you look at this part of your career?
I was not born in the theater. I come from a family that has never made a theater in their life. And a small town, where it was even less. But very quickly, I wanted to do theater. I was lucky to work a lot. It’s really a human adventure, theater. We enter a role and we know that we will leave him three months later. We do a lot of research, we read a lot. I read a lot when I play a play on the author, on the time, on all this. It is a continuous enrichment. And then, it is roles with facets that I have never explored. It’s really exciting.
Speaking of theater, until next June, you continue your tour with your show Pretend to be me. Tell us in.
In fact it is a story that is both intimate and universal, because I have noticed since I play this show, that there is a reactivity effect, a boomerang effect in people. People suddenly find themselves in front of their own childhood, their own adolescence, the birth of their own vocation or how they chose their profession. So it was not just my little narcissistic personal story, that’s not at all that I wanted to do. Rather, it talks about how we evolve in our own family, what trauma can give birth to a vocation, whatever it is. Me, it was the theater because I had the impression that very quickly playing was for me the unique way to find my truth, my existence. And it is a very funny spectacle, where all the dramas of childhood and adolescence are crossed with a fairly shift humor, very offbeat and with a text which is both very simple. The language is special there because it evolves over the story, at the beginning the little girl is 5 years old, and at the end of the show she is 18 years old and she will cross the scene for the first time with her first show but which was not smooth and without difficulties.
-What made you want to create this one-in-scène?
This is a very good question because the text, I wrote it not so long ago. 4 years ago, I really wanted to revisit all this memory thanks to a very private, very intimate event, it is that my mother had Alzheimer’s disease and she died. And so, from the moment she started losing her memory, I actually panicked, I said to myself ‘you have to find this memory there’. Then suddenly I found mine and I found my mother like that when I was a child. So it is thanks to an intimate event that speaks to many people. At the start, I wanted to write about the old age of my parents, and in fact I wrote on my youth to me. But, I haven’t finished because it’s in several parts, I write the rest.
Do you have any other projects you can tell us about?
I also have the project to write a book. The novel of writing my life is a big project, it is the means perhaps to make it universal, to detach it from me perhaps, this life, but therefore it is a great writing project. I really like to write, and then I also really like to play music, to make piano … I also want to continue to mix all these arts: music, theater … And I have other projects in the theater, but it is rather for 2026-2027, so here it is, it’s a project around the poet Charles Juliet.
Pretend to be me At the La Flèche Theater, 77 rue de Charonne in Paris, at 9 p.m. every Friday, for 1:15 am.
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